![]() They present the false notion that a person can have independence without having to accept responsibility or consequences. First, they magnify the difficulties of transitioning into adulthood, and emphasize the desire to rebel from expected conventions. There are some common messages that form the foundation blocks of the coming-of-age genre. Sadly, their paradigm shifts don’t offer anything substantial enough to really satisfy – or provide much hope for the future.Īnd then there is the experienced father in me that can’t help but wonder the obvious: Where are the parents of these kids? Won’t Quentin’s mother be surprised that her van is missing? And, who’s buying the food and gas for their road trip? And, of course, the protagonist is destined to have an epiphany. The sex-obsessed Ben also discovers there is more to girls than their outward appearance. There are some moments of enlightenment, like when Radar finally begins to communicate with Angela about who he really is. Slowly meandering through its scant plotline, Paper Towns implies that audiences are supposed to be learning something deeper while watching these adolescents reluctantly make their way to young adulthood. ![]() ![]() Convincing his best friends Ben and Radar (Austin Abrams, Justice Smith), along with Lacey and Radar’s girlfriend Angels (Jaz Sinclair) to join him in the search, the group follow a trail of cryptic clues left behind by the melodramatic runaway. However, his unfailing admiration for her motivates him to try and find her himself. ![]() Not wanting to reveal his involvement in the missing girl’s shady activities, Quentin tells the police and Margo’s parents that he only saw her for a moment that final night. Margo is satisfied and Quentin, who is convinced they have finally bonded during their hijinks, is more love-struck than ever. When the morning sun rises, a cheating boyfriend has been caught running naked from Margo’s best friend’s house (we clearly see him from the side and rear), another nemesis has an eyebrow taken off while asleep (hair removal cream works so well in the movies) and Lacey (Halston Sage)-a second girlfriend deemed inconsiderate-has her car wrapped in plastic wrap. The argument works and Quentin concedes to stealing his mother’s van and taking part in an evening of committing vengeful and illegal acts against those who have wronged Margo over the course of her short life. Convinced she can convince her long time admirer to join her, she berates Quentin for his cautious personality and advises that happiness should be had now, as opposed to waiting until after he’s completed his career goals, which include medical school. Then, suddenly, Margo shows up at her neighbor’s bedroom window, just as she used to when they were kids. The incident proves to be a turning point of their friendship.īy high school the pair hardly even acknowledge each other in the halls. While Margo’s inquisitive side comes alive trying to uncover the details of the mystery, Quentin wants to wash his hands of the disturbing situation. Margo (Hannah Alligood/Cara Delevingne) has more of a taste for adventure than her timid neighbor-something Quentin learns when the childhood chums stumble upon the body of man who has committed suicide (some blood is shown). During these years his success with school has been dampened by a persistent childhood crush on the girl next door. We are immediately introduced to Quentin (Josiah Cerio/Nat Wolff), who grows up from a young boy to a high school senior in middle class Orlando, Florida. In the case of Paper Towns, its focus is the loneliness of members of the millennial generation who are desperate to find meaning in a life of privilege and excess. Yet these pimples-to-beard stories are an often-sad reflection of the era in which they released. Makers of such movies have the distinct advantage of recycling their tale with a perpetually new crop of viewers. Coming-of-age is a well-trod path in film scripts.
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![]() In particular, the term ‘British EQ’ became something of a selling point over the years since the 1950’s, and essentially refers to the quality and sound of the equaliser sections found in many classic British-made mixing consoles by the likes of Neve, AMEK, and Soundcraft. Some of the best EQ plugins are modelled not after standalone outboard units, but the EQ sections of classic mixing consoles. Here’s a very quick primer on classic EQ. It can really help when learning about EQ to be aware of some of the classic hardware EQ units and console EQ sections that many plugins are modelled on to varying degrees. Download some of the demos (or full versions, in the case of the freeware choices) and get building a small and refined selection of EQ tools to cover every eventuality with optimum working speed and results.Ĭlassic EQ: A Quick Salute To The Hardware ![]() Take this list as a starting point or further hints towards finding and refining your own collection of favourites. The best EQ plugin is always the one that best suites the specific task you’re undertaking and gives you the sound you want with the greatest ease and efficiency. Each EQ will produce subjectively better or worse results on different source material: some EQs are renowned for making smooth high-end boosts, others for taming low and sub frequencies, and others might be go-tos for vocal or drum processing. No single EQ plugin is the best for every application. ![]() Do you want to see your adjustments graphically displayed with a spectrum analyser, or do you prefer simple knobs and dials that keep you focused on the sound only? How many controls do you want to have access to at any moment, and in which ways do you want to be able to adjust them? Anything which has a bearing on how you experience the process of listening, making decisions and making adjustments based on those decisions is a factor worth considering.Īpart from these factors, all of the considerations I mentioned in The 10 Best Compressor Plugins and The 10 Best Reverb Plugins lists also apply to choosing EQ: One last thing, and some producers might disagree with me here and say that the sound is the only important thing, but don’t underestimate the importance of an attractive and intuitive interface. Of course, this is arguable: it totally depends how you approach your productions. There’s also the factor common to all aspects of modern/digital music production: sometimes, too much flexibility can be a hindrance rather than a help. If you’ve read any of the other posts on GTPS, especially The 10 Principles Every Producer Must Know…, you’ll probably have gathered that I’m a proponent of keeping things simple: having a slightly wider range of tools at my disposal that are each designed to do a more specific job extremely well I find generally preferable to tools that try to cover a lot of bases. One of the key things that differentiates EQ plugins from each other is how well they process boosts at particular frequency ranges: for example, applying a significant boost to the high end will produce more or less ‘smooth’ or ‘gritty’ results depending on the EQ used. Our selection here aims to highlight options for every EQ situation: For example, are you looking for a processor for sweetening and bringing out or adding character to instruments are you looking to gently tame parts or mixes with broad and smooth cuts and boosts, or are you after the audio equivalent of a surgeons scalpel for highly focused, precision adjustments? These clean, ‘digital’-style EQs offer the sort of flexibility, accuracy and, usually, a transparency that engineers in the 1950s could only dream of, working as they were with imperfect analogue components. However, when it comes to pure sonic character and musicality, analogue and analogue-modelling EQ is still hard to beat. Nowadays, we all have pretty amazing EQ functionality by default built into our DAWs. As soon as it became possible to record and transmit audio electrically, and then electronically, engineers and music-makers also began developing various ways of sculpting the sound by boosting or cutting specific parts of the frequency spectrum independently from the rest of the signal. The equaliser is one of the longest-serving and most fundamental sound processing tools. To celebrate the release of the Get That Pro Sound Ultimate Guide to Equalisation, we’ve put together this run-down of the very best EQ plugins available in the world. |
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